The Handel Week Festival-- Oak Park, Illinois

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Handel Week Festival 2009 Performers

Artistic Director
Dr. Dennis E. Northway (HW 2000 - 2009) is a very active musician.  Presently, he is also parish musician at Grace Episcopal Church, where he conducts five choirs. He is a member and past dean of the venerable Chicago Chapter of the American Guild of Organists, former panelist for the Illinois Arts Council, and was chorus master and conductor at Light Opera Works for nearly fifteen years. He has been music director at St. Patrick's High School in Chicago and associate professor and director of choral activities at VanderCook College of Music, Chicago. In addition, he is founder of Fleur de Lys, a professional chamber choir originally dedicated to the music of the Romantic Age, and former artistic director of the Park Forest Singers and conductor of the Lutheran Choir of Chicago.


Concertmaster
Thomas Yang (HW 2000 - 2009) is Handel Week's founding concertmaster. He has been concertmaster for the Lake Forest Symphony, Chicago Sinfonietta, and Illinois Chamber Symphony. He is a member of the Grant Park Symphony Orchestra and has performed with Chicago Symphony Orchestra, St. Louis Symphony, Lyric Opera of Chicago, Symphony II, Basically Bach and others.

He founded Chicago Musical Connection, a musical contracting agency and has performed with and contracted for Frank Sinatra, Ray Charles, Natalie Cole and John Denver. He is one of five founding board members of Metropolis Symphony Orchestra and first violinist of the Chicago Musical String Quartet.


 
Soloists

Soprano Sarah Gartshore of Chicago has thrilled us since 2002, and this year will perform the fiery cantata "Laudate pueri Dominum" on February 21. Last year she sang Galatea in Acis & Galatea . Other Handel Week credits include cantatas HMV 97 and 242 (2007); Fulvia in the opera Ezio (2006); Judas Maccabeus (2005); the title role in Esther (2004); Handel's Gloria (2003); and her Handel Week debut in 2002 in the oratorio Israel in Egypt. Other highlights of the 2009 season include Poulenc's Stabat Mater with Tower Chorale in Westchester; Haydn's Heiligmesse with Music of the Baroque March 29 and 30, Barber's Prayers of Kierkegaard on May 17 with West Suburban Symphony in Hinsdale, and Brahms' Requiem with the Kingston (Ontario) Symphony. She also performed with guitarists Sergio and Odair Assad on Merry a Holiday Journey, a recently released CD of Christmas selections by violinist Nadja Salerno-Sonnenberg and friends.

As a Santa Fe Opera apprentice artist, Ms. Gartshore appeared as First Lady in Mozart's Die Zauberflöte. Other performances include the Muncie Symphony Orchestra, Messiah with the Richmond and Jacksonville Symphony Orchestras, the Brahms Requiem and Mahler's 4th Symphony with Richmond Symphony. She also has appeared with the Northbrook Symphony, American Opera Group , and performed Dvorák's Mass at the 47th International Choral Arts Festival of Jihlava in the Czech Republic. Originally from Sault Ste.Marie, Ont., Canada, she studied for two years at the Royal Conservatory of Music's Glenn Gould Professional School of Music in Toronto and received a B.A. in music from Roosevelt University, Chicago. She is a recipient of the Tom Thomas Scholarship Award from the Toronto Symphony Orchestra and was a finalist in Chicago's Barnett Family Foundation Competition.


 


Harpist Marguerite Lynn Williams of Chicago comes to Handel Week for the first time this season. She has performed throughout the U.S., Europe, and Asia as a soloist, chamber musician and orchestra member in such venues as Carnegie Hall, Shostakovich Hall (St. Petersburg, Russia), and Symphony Cenber. She has won two first prizes at the Anne Adams National Competition sponsored by the American Harp Society; the National Endowment of the Arts Artist Recognition Talent Search, the National Federation of Music Clubs, the American Opera Society and Sigma Alpha Iota. Ms. Williams has been featured with the International Chamber Artists, New World Symphony and Roosevelt University Chamber Orchestra. Recent performances include collaborations with Yo-Yo Ma, Renee Fleming, Maxim Vengerov, Kanye West, and as royal entertainment for H. I. H. Princess Thi-Nga of Vietnam. Locally, she has appeared with the Chicago Symphony, Milwaukee Symphony, and the Ravinia Festival Orchestra, as well as with the Toronto and San Diego Symphonies.

Ms. Williams is principal harpist for the 2008-2009 season with the CSO, and is principal harpist of the Colorado Music Festival in Boulder. Previously, she was principal harpist of the New World Symphony, Civic Orchestra of Chicago, New Philharmonic Orchestra in Glen Ellyn and DuPage Opera Orchestra. She is a founding member of the International Chamber Artists, Project Copernicus and Fifth House ensembles. She attended Eastman School of Music in Rochester, where she received both a Bachelor's of Music and a Performer's Certificate. She then attended Roosevelt University to study with CSO principal harpist Sarah Bullen, where she earned a M.A. in Orchestral Studies. She has a private studio in Chicago.

Winifred Haun & Dancers was founded in 1991 by award-winning dancer and choreographer Winifred Haun of Oak Park. Frequently featured as Critic's Choice in the Chicago Reader, the Chicago Tribune, TimeOut Chicago andWBEZ Radio, the Company has performed at many prestigious Midwest venues including Dance Center of Columbia College, Athenaeum Theatre, Link’s Hall, Ruth Page Theatre, and in many nontraditional performing spaces.Winifred Haun & Dancers is currently in residence at Voice of the City, a Logan Square multi-arts organization. The Company co-produces "Circle in the Square: NewWorks in Dance Theatre," which is presented annually in Logan Square and Oak Park.

Winifred Haun is a former member of the Joseph Holmes Chicago Dance Theatre.She currently teaches modern dance at Hubbard Street Dance Chicago and Legere Dance Center. She and her husband, physicist Stephen Parke, live in Oak Park and they have three daughters, ages 12, 7 and 4. For more information about Winifred Haun & Dancers, visit www.winifredhaun.org .












































 


Mezzo-soprano Amy Anderson de Jong of Oak Park is new to the Handel Week Festival this year, but is no stranger in Chicago. Before moving to New York City, where she met and married bass David de Jong of St. Catharine’s,Ontario, she received both Bachelor’s and Masters of Music degrees  from Northwestern University, Evanston. She gave a Dame Myra Hess recital at the Chicago Cultural Center which was broadcast onWFMT radio. She has received the American Opera Society Award, The Union League Club Scholarship, the Farwell Award from the Musician’s Club of Women and the Lynne Harvey Award. She is the alto soloist on a CD of Mozart’s Requiem with the St. Clement Choir and Orchestra.

Her work in opera, song recital and oratorio has taken her throughout the United States, Europe, and Asia. and to Europe and Asia. Career highlights include the role of Martha in the world premiere of Patience and Sarah at the Lincoln Center Festival, performances as mezzo soloist in Mozart’s Solemn Vespers and Duruflé’s Requiem at Carnegie Hall, and the Liebeslieder Waltzes with the American Symphony at Avery Fisher Hall in New York City. She was also featured in the North American premiere of the Rimsky-Korsakov opera May Night with the Sarasota Opera, and has been the alto soloist in Handel’s Messiah and Mendelssohn’s Elijah at Symphony Center in Chicago. Operatic credits range from baroque works such as Monteverdi's Orfeo to standard repertoire including the title role in Carmen, Rosina in The Barber of Seville, Lucretia in the Rape of Lucretia, Charlotte in Werther and Maddalena in Rigoletto. She has also appeared in several new operas, including Patience and Sarah by Paula Kimper with American Opera Project and Steel Grin by Peter Aglinskas with Chicago Opera Theater.

She enjoys performing concert and song repertoire and has worked with American composer William Bolcom in a recital of his music in New York City, has been a guest artist with the contemporary chamber music group Continuum, and featured at the Aldeburgh Festival in England, the Lincoln Center Festival, Opera Delaware, theWest Virginia Symphony, Aspen Opera Theatre, Glimmerglass Opera, the Ashlawn-Highland Festival, Waco Opera, the Pacific Music Festival in Japan, Chicago Opera Theater, and Sarasota Opera. A founding member of the vocal trio, “Times Three” (Timesthree.org), she has performed with symphonies across the US and Canada including: The Baltimore Symphony, the Charleston Symphony, Long Beach Symphony and the Edmonton Symphony. In addition to a WWII swing program, Times Three has a Christmas show which they debuted with the Cape Symphony in Cape Cod in 2006.She currently lives in Oak Park with her husband David and two children, Evan and Sonja.


Deborah Stevenson of Downers Grove, a freelance oboist in the Chicago area for over 20 years, last performed with us in 2004. In addition to her work with the Metropolis Symphony, she also performs frequently with Lake Forest Symphony, Milwaukee Symphony Orchestra,Ars Viva, Apollo Chorus, and the Chicagoland Pops Orchestra. She is the founder of theMetropolis Quartet whose members also include Thomas Yang, Jeri-Lou Zike and Steven Houser. As a contractor, she has hired performers for the St. Charles Singers concerts and recordings, Heartland Voices, and Canterbury Singers. In her work for the Paramount Arts Center in Aurora and the Chicago Theatre, she has provided musicians for artists such as Bernadette Peters, Bob Newhart,Marie Osmond, Smokey Robinson, Video Games Live and Mannheim Steamroller. Her formal music education began in Louisville and she continued in college at the University of Louisville, Northern Illinois University, Boston University and Northwestern University. Deb can be heard on Chicago Symphony recordings of the Strauss Alpine Symphony and Stravinsky’s complete Firebird; I KnowWhere I'm Going and Christmas in St. Charles with the St. Charles Singers; Messiah with Apollo Chorus; numerous recordings for GIA music publishing company; and Music from the Bolivian Rainforest with the Metropolis Symphony.

Deb lives in Downers Grove with her husband, pianist/composer Scott Stevenson and their son, percussionist Isaac Stevenson.










 




 





 


Gerald Frantzen of Oak Park, tenor, currently sings with the Lyric Opera of Chicago chorus where he made his solo debut in 2008 as the peasant in Eugene Onegin. His opera roles include Giove (Il Ritorno d’Ulisse in patria), Damon (Acis & Galatea), 2nd Nazarene/Narraboth/4th Jew (Salome) with Glimmerglass Opera, Ernesto (Don Pasquale) with Natchez Opera, Prunier (La Rondine) with Sarasota Opera, Der Kellner (Arabella) with Santa Fe Opera and Don Ottavio (Don Giovanni) with Ridge Light Opera. His operetta credits include Karel (The Girl in the Train–American premiere), Lorenz (Springtime– American premiere) Pimpfl (Peter and Paul in the Land of Nod–American premiere), Sparkeion (Thespis–world premiere), Jonel/Jozsi (Gypsy Love), Leonard (Yeomen of the Guard), Prince Sandor (Duchess of Chicago), Frederic (Pirates of Penzance), Karl Franz (Student Prince), Camille/St. Brioche (The Merry Widow), and Marco (The Gondoliers). He was heard on NPR in his role in Il Ritorno D’Ulisse in patria with Glimmerglass Opera as well as WFMT in his role of Peasant in Eugene Onegin.

His international musical theater credits include Jekyll/Hyde (Jekyll & Hyde) in Bremen, Germany, Piangi (The Phantom of the Opera – Hal Prince, director) in Hamburg, Germany, and The Russian (Chess) in Bergen, Norway. Regional credits include Dorsey & the Young Confederate Soldier (Parade-which won 8 Jeff Citations), Sir Harry (Once Upon a Mattress), Tony (West Side Story), Baron (Grand Hotel) and Charlie (Brigadoon). He can also be heard with “The Three Waiters,” which won the award for Best Corporate Event of the Year in 2002, 2005 and 2006. Film credits include Return of the Night Porter as an editor which won the Gran Prixe at the Karlovy Film Festival in Europe. Recordings include John Frantzen Compositions and Another Autumn, which he recorded with his wife, Alison Kelly. Mr. Frantzen is artistic director of Chicago Folks Operetta, now in its third season.






 


Mezzo-soprano Veronica McHale of Chicago joins Handel Week this year as the alto soloist in Messiah. She recently debuted with Union Avenue Opera as La Zia Principessa (Suor Angelica) and La Ciesca (Gianni Schicchi). This season she received the cover role of Dame Quickly in Lyric Opera Chicago’s production of Falstaff and was also featured in the Classical Singer January 2008 issue. She reprised the role of Mama Lucia (Cavalleria rusticana) with the Skokie Valley Symphony Orchestra and presented a solo recital for the Lyric Opera of Chicago’s Riverside chapter. She was alto soloist in Rossini’s Petite Messe Solennelle with The Bel Canto Chorus, as a result of winning 2nd place in their oratorio competition. Veronica just returned from performing Dame Quickly in a New York Opera Society production of Falstaff at the Municipal Theater of Castres, France. She also sang in Messiah with The Chamber Singers of Algoma in Sault Ste Marie, Canada. In January, she premiered the song cycle (Songs of Love and Transience) at the Chicago Cultural Center, written for her by Chicago composer and director of Accessible Contemporary Music, Seth Boustead.















Dr. Philip A. Kraus (HW 2000 - 2009) is one of the most versatile artists on the American music scene today, having appeared as a soloist with numerous orchestras and opera companies throughout the U.S. in a wide variety of traditional and avant-garde repertoires. A member of the Lyric Opera of Chicago since 1990, he has performed in numerous roles. His solo work with other opera companies include the Minnesota Opera, Cleveland Opera, Missouri Symphony, Chamber Opera Theater, Battle Creek Symphony, Chicago Opera Theater, Hawaii Opera Theater, and Fort Wayne Philharmonic. Solo engagements with conductor Margaret Hillis led to his Chicago Symphony Orchestra debut in Handel's Dettingen Te Deum. He has been a frequent guest of choral ensembles including the Bel Canto Chorus of Milwaukee, Chicago's Apollo Chorus, Bach Festival of Winter Park, Music of the Baroque and Calvin College Oratorio Society. He is a director of the opera program at Roosevelt University in Chicago and holds a doctorate in music from Northwestern University. He has a web page at www.philipkraus.com









Susan Ross (HW 2001 - 2009) of Forest Park, is a noted cellist in the Chicago area — solo, chamber, & orchestral. Ms. Ross performs with Northwest Indiana Symphony, Illinois Philharmonic, New Philharmonic, is principal cellist of Symphony of Oak Park and River Forest, and a regular with Grace Lutheran's Cantata Series. Last season, regional solos and recitals included Boccherini Concerto No. 3, Brahms Piano Trio and Kodaly Duo. Ms. Ross is 'sideman' on a number of CDs, often writing what she plays. Early music credits include Basically Bach, Jubal's Lyre, which she also directed, and continuo for St. John Passion with Don Doig in Chicago, Valparaiso and South Bend. Ms. Ross maintains a small teaching studio, and a busy free-lance schedule with RossNotes.





Soprano Kimberly McCord of Oak Park made her Chicago debut at Handel Week in 2007, amazing the Concert II audience with her marvelous vocal range and then stole the show as Samson’s wife Dalila. She was featured again in 2008’s Concert II and returns this year as featured soprano soloist in Messiah. This year she is singing in seven operas in the Lyric Opera of Chicago chorus and was a soloist at Lyric’s special December performance of the Holly & Ivy. She was a soloist at January’s Mozart concert at Music of the Baroque. Originally from Sikeston, Mo., she comes to us following an 8-year sojourn in Holland. She received her Bachelor of Music degree with distinction from Indiana University, and then won a Fulbright Scholarship to study at the Guildhall School of Music and Drama, London.  She has performed as soloist in many oratorios, including Messiah with the Croydon Bach Society in London, Israel in Egypt on tour with the Dutch Bach Society and Fauré's Requiem in Holland. Baroque operas include Medée in Lully’s Thesée with William Christie conducting, Dido in Dido & Aeneas with the Gabrieli Consort and Créuse in Medée (Charpentier) at the Dartington Festival, England.

In 1999 she was a member of Opera Studio Nederland and appeared with the Netherlands Opera in Rêves d’un Marco Polo (Vivier) in Amsterdam and Writing to Vermeer (Andriessen) in New York as part of the Lincoln Center Festival. She also has recorded the Bach Magnificat and Oster Oratorium for Deutsche Grammophon with the Gabrieli Consort, Paul McCreesh conducting. Ms.McCord is also an accomplished recitalist, and has performed throughout England and the Netherlands.

























Thomas Wikman (HW 2005 - 2009) Is one of the most acclaimed artists in Chicago's music scene. Mr. Wikman is Founder and Conductor Laureate of Music of the Baroque, and as its Music Director for 30 years, conducted its every concert. He is currently the director of the professional choir at Chicago's Church of the Ascension. More detail on his current activities as a keyboard artist can be found on his website www.ThomasWikman.org.





 

















































Past Performers

Soprano Rosalind Lee (HW 2003 - 2006) of Oak Park rejoins Handel Week again this year soloing in Dixit Dominus.
She is known both in the Midwest and the Caribbean. Locally, she has performed with Heritage Chorale and is a member of the Grace Episcopal Church Choir. With the Indianapolis Symphony she sang with Kathleen Battle under the baton of Raymond Leppard and was the soprano soloist in the Vivaldi Gloria under Bernard Labadie. She appeared in the story of Venus and Adonis as the goddess Venus in the Baroque opera, La Purpura de la Rosa with the Indiana University Early Music Institute/Bloomington.


Kaye L. Clements (HW 2001 - 2004, 2006) of Oak Park, flute and recorder virtuoso, is an active performer and teacher throughout the Chicago area.
She is principal flute and frequent soloist with the Chicago Chamber Orchestra and has played flute and/or recorder with many other area ensembles, including Music of the Baroque, Lyric Opera Orchestra and Chicago Symphony. She performs regularly with Bach Week, Evanston, and appeared on WFMT’s "Live from Studio One." She holds degrees in flute performance and music history from Roosevelt University’s Chicago College of the Performing Arts and two years of doctoral work in musicology at the University of Chicago.

She has served on the performance faculties of Concordia University and Roosevelt University and is associate professor of flute and music history and chair of the General Education Studies Department at VanderCook College of Music in Chicago. She founded and maintains her own private studio, The Flute Group, in the western suburbs.


Nicci Krebasch (HW 2002 - 2004, 2006) of Wood Dale is an original member of the Handel Week Chorus and sang with New Classic Singers at College of DuPage and New Oratorio Singers, Techney.
She sings solo recitals and is cantor for Grace Episcopal Church and performed in Bach's Magnificat and Faure Requiem with the Northwest Choral Society.


Mezzo Soprano Amelia Fonti (HW 2002-2004, 2006) of Chicago, returns to the Handel Week festival this year as a soloist in Dixit Dominus.
Coming to us from Australia, she received her training in voice and opera at the Queensland Conservatory of Music in Brisbane. She is vocal coach in residence with the Chicago Children’s Choir and assists in traing the Lyric Opera’s Children’s Chorus.


Mezzo Soprano Michelle Wrighte (HW 2004, 2006) of Oak Park returns to the Handel Week Festival singing in Ezio.
Her operatic talent has been honed through the Lyric Opera’s Center for Americas Artists and she has performed at Ravinia and Grant Park, moving outward to the Milwaukee Symphony; Glimmerglass Opera, Cooperstown, NY; Festival of Two Worlds in Spoleto, Italy; Utah Opera; Indianapolis Opera; and Opera Theatre of St. Louis.

Last year she was featured in the Ned Rorem West Coast song cycle Evidence of Things Not Seen and San Franciscos Other Minds Festival. She has held lead roles at the San Francisco Opera, Tulsa Opera, Tampa Opera, and Pamiro Opera in Italy.

She won critical praise for her portrayal of Emilia opposite Ben Heppner and Renee Fleming in Sir Peter Halls new production of Otello, which opened the 2001-02 Lyric season. In the past two seasons at Lyric, she performed in Carmen, Rigoletto, The Great Gatsby, Jenufa, and Macbeth.

She comes from Des Moines, holds degrees from Drake University, University of Illinois and a certificate of opera studies from Temple University, Philadelphia.


Amy Pickering (HW 2002, 2006) of Chicago, mezzo-soprano, has a blended career of opera, musical theater and concert work.
She has held leads at Grant Park, Light Opera Works, Pamiro Opera, Chicago Opera Theater's student matinee performances, L'Opera Piccola, Muddy River Opera, Sheboygan Symphony, Toledo Symphony, and Central City Opera and Colorado Symphony. She has performed supporting roles with the Chicago Symphony and Ravinia Festival orchestras. She holds an M.A. in music from Northwestern University and a B.A. from DePaul University. She is a member of the voice faculty at UIC, Chicago, and Judson College.


Julia Bentley (HW 2002, 2006) of River Forest, mezzo-soprano, has appeared in leading roles with opera companies throughout America and has been featured as soloist with orchestras led by such notables as Robert Shaw and Pierre Boulez.
In 2001, she appeared to critical acclaim as soloist at Carnegie Hall with Mr. Boulez. This season has included performances of Messiah with the Milwaukee Symphony, and title role in Britten's The Rape of Lucretia with Chicago Opera Theater. She performs in Chicago with Mostly Music, CUBE, Contemporary Chamber Players, Orion Ensemble, Pinotage, Ensemble Noamnesia, Chicago Chamber Musicians, and the MusicNOW series at Symphony Center with Conductor Cliff Colnot. She has been a regular with the Chicago Chamber Musicians' Music at the Millennium Series. She began with apprenticeships at Santa Fe Opera and Chicago Lyric Opera.


Todd Wedge (HW 2006), Tenor, Is joining Handel Week this year as a soloist in Dixit Dominus.
He has recently graduated from the Northwestern University School of Music after having received his undergraduate training from the Oberlin Conservatory of Music. His versatile repertoire stretches from Bach to Britten and his passion for the early repertoire has made him a featured artist throughout the United States and Europe. Mr. Wedge is a student of Sunny Joy Langton and has worked with such renowned pedagogues as Lorraine Manz, Richard Miller and Renata Scotto.

Operatically, Mr. Wedge was last seen with Chicago Light Opera and has performed leading roles from: Gianni Schicchi, Alcina, The Bartered Bride, Don Giovanni, The Merry Widow, Idomeneo, West Side Story, The Rape of Lucretia and The Rake’s Progress. Mr. Wedge is currently a studio instructor of singing and class instructor of vocal pedagogy at the University of Notre Dame.


Andrea Holliday (HW 2006), is making her first appearance with Handel Week. Often heard in the larger concert works of Handel, Mozart, Haydn and Vivaldi, she has a particular devotion to the music of Bach. Her performing gamut, however, spans classical new music, show music and a large Romantic repertoire.
She has been guest artist with the Michigan Bach Collegium in several Bach cantatas, most recently the Wedding Cantata #202. She has been a frequent soloist on the Bach Cantata Series at Grace Lutheran Church, River Forest, where she returns this season in the celebrated Cantata 31, "Der Himmel lacht." Among many appearances with the Downers Grove Choral Society will be the April '06 performance of Bach's Mass in B minor.

In Chicago's Auditorium Theatre, she was soprano soloist in Mendelssohn works for a post-September-11 benefit organized by the Joffrey Ballet. In 2004 she was principal soprano soloist in Mozart's Great C minor Mass with the Rockford Bach Chamber Choir. Her performance of the Mozart Requiem with the Muskegon (Michigan) Chamber Choir & Orchestra was noted in the local press.

A busy recitalist, Ms. Holliday has presented dozens of art-song programs at various venues. She continues her recitals during the 05-06 season, accompanied by her husband, conductor and keyboardist Thomas Wikman. She has a web page at www.mthp.org/teachers/Andrea.html


Eric Ashcraft (HW 2006) Joins Handel Week to sing in Ezio this year. He has received critical praise for his resonant and flexible tenor as well as his expressiveness on stage
Mr. Ashcraft's most notable portrayals have been Don Jose with Pine Mountain Opera, Rodolfo with the Erie and Nevada Opera Theaters and Arturo in Lucia di Lammermoor with Cleveland Opera. He has performed with the New York City Opera and Greater Buffalo Opera and appeared as Don Ottavio in Don Giovanni with Dublin Grand Opera and Opera Northern Ireland. He made his debut as Antonio in Wagner's Das Liebesverbot with the Wexford Festival Opera.

Musical sensitivity and excellent diction are the hallmarks of Mr. Ashcraft's solo orchestral performances. He has appeared in Beethoven's Ninth, the Stabat Maters of Rossini and Dvorák, and several works by Handel, including Messiah, Judas Maccabaeus and Samson.

Mr. Ashcraft was a New York District winner of the Metropolitan Opera National Council Auditions and received his Master of Music and an Artist's Diploma in Opera from the Cincinnati College Conservatory of Music. He serves on the faculty of Augustana College in Rock Island, Illinois.


 



Edward Zelnis (HW 2004 - 2005) Returned to the Handel Week Festival last year singing in Judas Maccabaeus.
He is chorus director of Chicago's Music of the Baroque and will appear as soloist with the group in March in an all Monteverdi program. He prepared the MOB chorus for Bachs Mass in B minor and has conducted its Holiday Brass and Choral concerts for two years. He has performed with the Chicago Symphony; Chicago Opera Theatre; conducted 10 shows for Evanstons Light Opera Works; numerous productions at The Goodman and Steppenwolf Theaters; and at The Kennedy Center in collaboration with Tony Award winning director, Frank Galati.

He is music director of Park Ridge Chorale, Christ the King Roman Catholic Church in Beverly and Congregation Kol Ami in Water Tower Place, Chicago..


Jeri-Lou Zike (HW 2005) Is joining Handel Week this year to play for "The Intimate Handel" Concert.
One of Chicago's busiest musicians, Ms. Zike is Assistant Concertmaster of both the Lake Forest Symphony and Symphony of the Shores, a member of Symphony II, The City Musick, Basically Bach, and the Chicago Baroque Ensemble (she studied with the renowned Baroque violinist Monica Huggett at the Vancouver Early Music Festival). She is the concertmaster for the University of Chicago Baroque Concerts and Bach Week in Evanston, and teaches at the Music Center of the North Shore.


Thomas Dymit (HW 2005) Joined Handel Week in 2005 to sing the lead in Judas Maccabaeus.
A member of the Chicago Symphony Chorus, Dymit was a soloist with the CSO & chorus on their Grammy Award-winning recordings of Arnold Schoenberg's Moses und Aron (with Sir Georg Solti) and works by Barber conducted by Andrew Schenk. The tenor first appeared with the Chicago Symphony in 1983.




ContraltoRuth M. Lidecka (HW 2001, 2003-2004) has appeared in numerous productions in the Chicago area, most recently as Cieska in the Chicago Opera Theater’s production of Gianni Schicchi and Buoso's Ghost.
She is a veteran performer of Gilbert and Sullivan’s operettas, having appeared in all 13 of them. She has also appeared at Chicago Opera Theater, Light Opera Works and in a production of the Breasts of Tiresias by the Chicago Department of Cultural Affairs. Choral experience includes the Chicago Symphony Orchestra Chorus, the Grant Park Symphony Orchestra Chorus, and the Fleur de Lys Chorale.


Tenor Jay Morrissey (HW 2002 - 2004) of Chicago returns to us as Ahasuerus, King of Persia.
He debuted at Handel Week in the 2002 production of Israel in Egypt. He holds a B.A. from Notre Dame, South Bend, and M.A. degree in music from Roosevelt. He has performed with Chicago Opera Theatre in Cosi fan tutte and Handel’s Semele and with the Florentine Opera in Milwaukee.





Diane Ragains (HW 2001 - 2002) of Chicago, lyric soprano, is known for her dramatic coloratura quality, wide vocal range and extraordinary musicianship
Her debut was with the Chicago Symphony Orchestra under the baton of Seija Ozawa in Carl Orff's Carmina Burana. What followed have been many guest appearances with major American orchestras in St. Louis, Cincinnati, Omaha, the Brooklyn Philharmonic and Houston Symphony Chamber Orchestra, then with Edinburgh Festival in Scotland. Locally she is a regular at the Vermeer, Contemporary Chamber Players and at Grant Park. She is currently on the faculty at Northern Illinois University and holds degrees from Indiana University and Chicago Conservatory.


DAVID SOLEM (HW 2000 - 2002) of Chicago is one of this area's finest harpsichordists. He is music director of SS Faith, Hope and Charity Church in Winnetka.



Melody Turner (HW 2001) is organist-music director at the Episcopal Church of Our Savior in Chicago and is an associate of the American Guild of Organists.
She holds a degree from Indiana University in organ performance and a master's degree in sacred music from Union Theological Seminary in New York City, plus additional work at the University of Illinois. Active in the church music scene for more than 30 years, she teaches Suzuki Violin and piano in Oak Park  and plays violin in the Oak Park/River Forest Symphony. 


Lisa Flores (HW 2001) of Evanston, soprano, is emerging locally as a featured soloist and has appeared in young artists' programs at Opera Theater of St. Louis, Glimmerglass Opera, and Chicago Opera Theater. 
Her operatic roles include Armina, Adele, Elvira (L'Italiana in Algeri), Frasquita, Gretel, Musetta, Norina, Queen of the Night, Susanna and Zerlina. She has been a soloist in such works as Schubert's Mass in G Major, Handel's Dexit Dominus, Beethoven's Mass in C Major and Mendelssohn's Elijah. She holds a master of music degree and artist's diploma from Northwestern University.


Donald S. Wright (HW 2001) of Park Ridge, organist, is director of music at St. Richard of Chichester Church in the Edgebrook neighborhood of Chicago.
He holds degrees in organ, piano, and church music from the American Conservatory of Music, Chicago, and is a frequent area recitalist and was featured at the national convention of the Organ Historical Society in 1984. His other passion is owning a 1930 Cadillac V-16.
 
Tracy Watson (HW 2000) Has sung numerous featured roles throughout the US and Europe.
She has portrayed many leading rolls at the Theater Oberhausen and has been a featured soloist at the gala opening of Nordrhein Westfalen Festival. She has also performed at the Whitewater-Sorg Opera Companies, Hawaii Opera Theater, Chicago Opera Theater, Light Opera Works, Chamber Opera of Chicago, and the Memphis Symphony Orchestra. She was a member of Lyric Opera’s Center for American Artists.
She has been soloist with the Grant Park Music Festival, the Flagstaff Symphony, Princeton Pro Musica, the Elgin and West Suburban Choral Unions, Northwest Indiana Symphony Orchestra, the Lake Geneva Opera Festival, the Bach Society of St. Louis, Evanston Symphony, the Sheboygan Symphony, the Fox Valley Symphony, and the Symphony of Oak Park & River Forest. She has appeared on the Dame Myra Hess Memorial Concert Series on WFMT-FM, Chicago.
A recipient of many honors, she was awarded first vocal prize in the American Opera Society of Chicago Competition and the Lynne Harvey Award.


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