|
|
Handel Week Festival 2009
Performers
 |
Artistic
Director
Dr. Dennis E. Northway (HW 2000 - 2009) is a very active musician.
Presently, he is also parish musician at Grace Episcopal Church,
where he conducts five choirs. He is a member and past dean of the
venerable Chicago Chapter of the American Guild of Organists, former
panelist for the Illinois Arts Council, and was chorus master and conductor
at Light Opera Works for nearly fifteen years. He has been music director
at St. Patrick's High School in Chicago and associate
professor and director of choral activities at VanderCook College of
Music, Chicago. In addition, he is founder of Fleur de Lys, a
professional chamber choir originally dedicated to the music of the
Romantic Age, and former artistic director of the Park Forest Singers
and conductor of the Lutheran Choir of Chicago.
|
 |
Concertmaster
Thomas Yang (HW 2000 - 2009) is Handel
Week's founding concertmaster. He has been concertmaster for the
Lake Forest Symphony, Chicago Sinfonietta, and Illinois Chamber
Symphony. He is a member of the Grant Park Symphony Orchestra and
has performed with Chicago Symphony Orchestra, St. Louis Symphony,
Lyric Opera of Chicago, Symphony II, Basically Bach and others.
He founded Chicago Musical Connection, a musical
contracting agency and has performed with and contracted for Frank
Sinatra, Ray Charles, Natalie Cole and John Denver. He is one of
five founding board members of Metropolis Symphony Orchestra and
first violinist of the Chicago Musical String Quartet.
|
Soloists
 |
Soprano Sarah
Gartshore of Chicago has thrilled us since 2002, and this
year will perform the fiery cantata "Laudate pueri Dominum" on
February 21. Last year she sang Galatea in Acis &
Galatea . Other Handel Week credits include cantatas HMV
97 and 242 (2007); Fulvia in the opera Ezio (2006);
Judas Maccabeus (2005); the title role in Esther
(2004); Handel's Gloria (2003); and her Handel Week debut in 2002 in
the oratorio Israel in Egypt. Other highlights of the 2009
season include Poulenc's Stabat Mater with Tower Chorale in
Westchester; Haydn's Heiligmesse with Music of the Baroque
March 29 and 30, Barber's Prayers of Kierkegaard on May 17
with West Suburban Symphony in Hinsdale, and Brahms' Requiem with
the Kingston (Ontario) Symphony. She also performed with guitarists
Sergio and Odair Assad on Merry a Holiday Journey, a
recently released CD of Christmas selections by violinist Nadja
Salerno-Sonnenberg and friends.
As a Santa Fe Opera
apprentice artist, Ms. Gartshore appeared as First Lady in Mozart's
Die Zauberflöte. Other performances
include the Muncie Symphony Orchestra, Messiah
with the Richmond and
Jacksonville Symphony Orchestras, the Brahms Requiem and Mahler's
4th Symphony with Richmond Symphony. She also has appeared with the
Northbrook Symphony, American Opera Group , and performed Dvorák's
Mass at the 47th International Choral Arts Festival of Jihlava in
the Czech Republic. Originally from Sault Ste.Marie, Ont., Canada,
she studied for two years at the Royal Conservatory of Music's Glenn
Gould Professional School of Music in Toronto and received a B.A. in
music from Roosevelt University, Chicago. She is a recipient of the
Tom Thomas Scholarship Award from the Toronto Symphony Orchestra and
was a finalist in Chicago's Barnett Family Foundation
Competition. |
|
Harpist Marguerite Lynn Williams of
Chicago comes to Handel Week for the first time this season. She has
performed throughout the U.S., Europe, and Asia as a soloist,
chamber musician and orchestra member in such venues as Carnegie
Hall, Shostakovich Hall (St. Petersburg, Russia), and Symphony
Cenber. She has won two first prizes at the Anne Adams National
Competition sponsored by the American Harp Society; the National
Endowment of the Arts Artist Recognition Talent Search, the National
Federation of Music Clubs, the American Opera Society and Sigma
Alpha Iota. Ms. Williams has been featured with the International
Chamber Artists, New World Symphony and Roosevelt University Chamber
Orchestra. Recent performances include collaborations with Yo-Yo Ma,
Renee Fleming, Maxim Vengerov, Kanye West, and as royal
entertainment for H. I. H. Princess Thi-Nga of Vietnam. Locally, she
has appeared with the Chicago Symphony, Milwaukee Symphony, and the
Ravinia Festival Orchestra, as well as with the
Toronto and San Diego
Symphonies.
Ms. Williams is principal harpist for the
2008-2009 season with the CSO, and is principal harpist of the
Colorado Music Festival in Boulder. Previously, she was principal
harpist of the New World Symphony, Civic Orchestra of Chicago, New
Philharmonic Orchestra in Glen Ellyn and DuPage Opera Orchestra. She
is a founding member of the International Chamber Artists, Project
Copernicus and Fifth House ensembles. She attended Eastman School of
Music in Rochester, where she received both a Bachelor's of Music
and a Performer's Certificate. She then attended Roosevelt
University to study with CSO principal harpist Sarah Bullen, where
she earned a M.A. in Orchestral Studies. She has a private studio in
Chicago.
|
 |
Winifred Haun & Dancers was
founded in 1991 by award-winning dancer and choreographer
Winifred Haun of Oak Park. Frequently featured as
Critic's Choice in the Chicago Reader, the Chicago Tribune, TimeOut
Chicago andWBEZ Radio, the Company has performed at many prestigious
Midwest venues including Dance Center of Columbia College, Athenaeum
Theatre, Link’s Hall, Ruth Page Theatre, and in many nontraditional
performing spaces.Winifred Haun & Dancers is currently in
residence at Voice of the City, a Logan Square multi-arts
organization. The Company co-produces "Circle in the Square:
NewWorks in Dance Theatre," which is presented annually in Logan
Square and Oak Park.
Winifred
Haun is a former member of the Joseph Holmes Chicago Dance
Theatre.She currently teaches modern dance at Hubbard Street Dance
Chicago and Legere Dance Center. She and her husband, physicist
Stephen Parke, live in Oak Park and they have three daughters, ages
12, 7 and 4. For more information about Winifred Haun & Dancers,
visit www.winifredhaun.org
. |
 |
Mezzo-soprano Amy Anderson de
Jong of Oak Park is new to the Handel Week Festival this
year, but is no stranger in Chicago. Before moving to New York City,
where she met and married bass David de Jong of St.
Catharine’s,Ontario, she received both Bachelor’s and Masters of
Music degrees from
Northwestern University, Evanston. She gave a Dame Myra Hess recital
at the Chicago Cultural Center which was broadcast onWFMT radio. She
has received the American Opera Society Award, The Union League Club
Scholarship, the Farwell Award from the Musician’s Club of Women and
the Lynne Harvey Award. She is the alto soloist on a CD of Mozart’s
Requiem with the St. Clement Choir and Orchestra.
Her work in opera, song recital
and oratorio has taken her throughout the United States, Europe, and
Asia. and to Europe and Asia. Career highlights include the role of
Martha in the world premiere of Patience and Sarah at the
Lincoln Center Festival, performances as mezzo soloist in Mozart’s
Solemn Vespers and Duruflé’s Requiem at Carnegie Hall, and the
Liebeslieder Waltzes with the American Symphony at Avery Fisher Hall
in New York City. She was also featured in the North American
premiere of the Rimsky-Korsakov opera May Night with the
Sarasota Opera, and has been the alto soloist in Handel’s
Messiah and Mendelssohn’s Elijah at Symphony Center in Chicago.
Operatic credits range from baroque works such as Monteverdi's Orfeo
to standard repertoire including the title role in Carmen,
Rosina in The Barber of Seville, Lucretia in the Rape
of Lucretia, Charlotte in Werther and Maddalena in
Rigoletto. She has also appeared in
several new operas, including Patience and Sarah by Paula Kimper
with American Opera Project and Steel Grin by Peter Aglinskas with
Chicago Opera Theater.
She
enjoys performing concert and song repertoire and has worked with
American composer William Bolcom in a recital of his music in New
York City, has been a guest artist with the contemporary chamber
music group Continuum, and featured at the Aldeburgh Festival in
England, the Lincoln Center Festival, Opera Delaware, theWest
Virginia Symphony, Aspen Opera Theatre, Glimmerglass Opera, the
Ashlawn-Highland Festival, Waco Opera, the Pacific Music Festival in
Japan, Chicago Opera Theater, and Sarasota Opera. A founding member of the
vocal trio, “Times Three” (Timesthree.org), she has performed
with symphonies across the US and Canada including: The
Baltimore Symphony, the Charleston Symphony, Long Beach Symphony and
the Edmonton Symphony. In addition to a WWII swing program, Times
Three has a Christmas show which they debuted with the Cape Symphony
in Cape Cod in 2006.She currently lives in Oak Park
with her husband David and two children, Evan and Sonja. |
 |
Deborah
Stevenson of Downers Grove, a freelance oboist in the
Chicago area for over 20 years, last performed with us in 2004. In
addition to her work with the Metropolis Symphony, she also performs
frequently with Lake Forest Symphony, Milwaukee Symphony
Orchestra,Ars Viva, Apollo Chorus, and the Chicagoland Pops
Orchestra. She is the founder of theMetropolis Quartet whose members
also include Thomas Yang, Jeri-Lou Zike and Steven Houser. As a
contractor, she has hired performers for the St. Charles Singers
concerts and recordings, Heartland Voices, and Canterbury Singers.
In her work for the Paramount Arts Center in Aurora and the Chicago
Theatre, she has provided musicians for artists such as Bernadette
Peters, Bob Newhart,Marie Osmond, Smokey Robinson, Video Games Live
and Mannheim Steamroller. Her formal music education began in
Louisville and she continued in college at the University of
Louisville, Northern Illinois University, Boston University and
Northwestern University. Deb can be heard on Chicago Symphony
recordings of the Strauss Alpine Symphony and Stravinsky’s
complete Firebird; I KnowWhere I'm Going and Christmas
in St. Charles with the St. Charles Singers; Messiah
with Apollo Chorus; numerous recordings for GIA music publishing
company; and Music from the Bolivian Rainforest with the
Metropolis Symphony.
Deb lives in Downers
Grove with her husband, pianist/composer Scott Stevenson and their
son, percussionist Isaac
Stevenson. |
 |
Gerald
Frantzen of Oak Park, tenor, currently sings with the Lyric
Opera of Chicago chorus where he made his solo debut in 2008 as the
peasant in Eugene Onegin. His opera roles include Giove
(Il Ritorno d’Ulisse in patria), Damon (Acis &
Galatea), 2nd Nazarene/Narraboth/4th Jew
(Salome) with Glimmerglass Opera, Ernesto (Don
Pasquale) with Natchez Opera, Prunier (La Rondine)
with Sarasota Opera, Der Kellner (Arabella) with Santa Fe
Opera and Don Ottavio (Don Giovanni) with Ridge Light
Opera. His operetta credits include Karel (The Girl in the
Train–American premiere), Lorenz (Springtime– American
premiere) Pimpfl (Peter and Paul in the Land of
Nod–American premiere), Sparkeion (Thespis–world
premiere), Jonel/Jozsi (Gypsy Love), Leonard (Yeomen of
the Guard), Prince Sandor (Duchess of Chicago),
Frederic (Pirates of Penzance), Karl Franz (Student
Prince), Camille/St. Brioche (The Merry Widow), and
Marco (The Gondoliers). He was heard on NPR in his role in
Il Ritorno D’Ulisse in patria with Glimmerglass Opera as
well as WFMT in his role of Peasant in Eugene Onegin.
His international musical theater credits include
Jekyll/Hyde (Jekyll & Hyde) in Bremen, Germany, Piangi
(The Phantom of the Opera – Hal Prince, director) in
Hamburg, Germany, and The Russian (Chess) in Bergen,
Norway. Regional credits include Dorsey & the Young Confederate
Soldier (Parade-which won 8 Jeff Citations), Sir Harry
(Once Upon a Mattress), Tony (West Side Story),
Baron (Grand Hotel) and Charlie (Brigadoon). He
can also be heard with “The Three Waiters,” which won the award for
Best Corporate Event of the Year in 2002, 2005 and 2006. Film
credits include Return of the Night Porter as an editor which
won the Gran Prixe at the Karlovy Film Festival in Europe.
Recordings include John Frantzen Compositions and Another
Autumn, which he recorded with his wife, Alison Kelly. Mr.
Frantzen is artistic director of Chicago Folks Operetta, now in its
third season. |
 |
Mezzo-soprano
Veronica
McHale
of Chicago joins Handel Week this year as the alto soloist in
Messiah. She recently debuted with Union Avenue Opera as La Zia
Principessa (Suor
Angelica)
and La Ciesca (Gianni
Schicchi).
This season she received the cover role of Dame Quickly in Lyric
Opera Chicago’s production of Falstaff
and
was also featured in the Classical Singer January 2008 issue. She
reprised the role of Mama Lucia (Cavalleria
rusticana)
with the Skokie Valley Symphony Orchestra and presented a solo
recital for the Lyric Opera of Chicago’s Riverside chapter. She was
alto soloist in Rossini’s Petite Messe Solennelle with The Bel Canto
Chorus, as a result of winning 2nd place in their oratorio
competition. Veronica just returned from performing Dame Quickly in
a New York Opera Society production of Falstaff
at the Municipal Theater of Castres, France. She also sang in
Messiah
with The Chamber Singers of Algoma in Sault Ste Marie, Canada. In
January, she premiered the song cycle (Songs of Love and Transience)
at the Chicago Cultural Center, written for her by Chicago composer
and director of Accessible Contemporary Music, Seth
Boustead. |
 |
Dr. Philip A. Kraus (HW 2000 - 2009) is one
of the most versatile artists on the American music scene today,
having appeared as a soloist with numerous orchestras and opera
companies throughout the U.S. in a wide variety of traditional and
avant-garde repertoires. A member of the Lyric Opera of Chicago
since 1990, he has performed in numerous roles. His solo work with
other opera companies include the Minnesota Opera, Cleveland Opera,
Missouri Symphony, Chamber Opera Theater, Battle Creek Symphony,
Chicago Opera Theater, Hawaii Opera Theater, and Fort Wayne
Philharmonic. Solo engagements with conductor Margaret Hillis led to
his Chicago Symphony Orchestra debut in Handel's Dettingen Te Deum.
He has been a frequent guest of choral ensembles including the Bel
Canto Chorus of Milwaukee, Chicago's Apollo Chorus, Bach Festival of
Winter Park, Music of the Baroque and Calvin College Oratorio
Society. He is a director of the opera program at Roosevelt
University in Chicago and holds a doctorate in music from
Northwestern University. He has a web page at www.philipkraus.com
|
 |
Susan Ross (HW 2001 - 2009) of Forest Park,
is a noted cellist in the Chicago area — solo, chamber, &
orchestral. Ms. Ross performs with Northwest Indiana Symphony,
Illinois Philharmonic, New Philharmonic, is principal cellist of
Symphony of Oak Park and River Forest, and a regular with Grace
Lutheran's Cantata Series. Last season, regional solos and recitals
included Boccherini Concerto No. 3, Brahms Piano Trio and Kodaly
Duo. Ms. Ross is 'sideman' on a number of CDs, often writing what
she plays. Early music credits include Basically Bach, Jubal's Lyre,
which she also directed, and continuo for St. John Passion with Don
Doig in Chicago, Valparaiso and South Bend. Ms. Ross maintains a
small teaching studio, and a busy free-lance schedule with
RossNotes.
|
 |
Soprano Kimberly
McCord of Oak Park made her Chicago debut at Handel Week in
2007, amazing the Concert II audience with her marvelous vocal range
and then stole the show as Samson’s wife Dalila. She was featured
again in 2008’s Concert II and returns this year as featured soprano
soloist in Messiah. This year she is singing in seven operas in the
Lyric Opera of Chicago chorus and was a soloist at Lyric’s special
December performance of the Holly & Ivy. She was a soloist at
January’s Mozart concert at Music of the Baroque. Originally from
Sikeston, Mo., she comes to us following an 8-year sojourn in
Holland. She received her Bachelor of Music degree with distinction
from Indiana University, and then won a Fulbright Scholarship to
study at the Guildhall School of Music and Drama, London. She has performed as soloist
in many oratorios, including Messiah with the Croydon Bach
Society in London, Israel in Egypt on tour with the Dutch
Bach Society and Fauré's Requiem in Holland. Baroque operas include
Medée in Lully’s Thesée with William Christie conducting,
Dido in Dido & Aeneas with the Gabrieli Consort and
Créuse in Medée (Charpentier) at the Dartington Festival,
England.
In 1999 she was a member
of Opera Studio Nederland and appeared with the Netherlands Opera in
Rêves d’un Marco Polo (Vivier) in Amsterdam and Writing
to Vermeer (Andriessen) in New York as part of the Lincoln
Center Festival. She also has recorded the Bach Magnificat and Oster
Oratorium for Deutsche Grammophon with the Gabrieli Consort, Paul
McCreesh conducting. Ms.McCord is also an accomplished recitalist,
and has performed throughout England and the
Netherlands. |
 |
Thomas Wikman (HW 2005 - 2009) Is one of
the most acclaimed artists in Chicago's music scene. Mr. Wikman is
Founder and Conductor Laureate of Music of the Baroque, and as its
Music Director for 30 years, conducted its every concert. He is
currently the director of the professional choir at Chicago's Church
of the Ascension. More detail on his current activities as a
keyboard artist can be found on his website www.ThomasWikman.org.
|
Past
Performers
 |
Soprano Rosalind Lee (HW 2003 - 2006) of Oak Park rejoins Handel Week again this
year soloing in Dixit Dominus. |
She is
known both in the Midwest and the Caribbean. Locally, she has performed
with Heritage Chorale and is a member of the Grace Episcopal
Church Choir. With the Indianapolis Symphony she sang with Kathleen
Battle under the baton of Raymond Leppard and was the soprano soloist
in the Vivaldi Gloria under Bernard Labadie. She appeared in the story
of Venus and Adonis as the goddess Venus in the
Baroque opera, La Purpura de la Rosa with the Indiana
University Early Music Institute/Bloomington.
 |
Kaye L. Clements (HW 2001 - 2004, 2006) of Oak Park, flute and recorder virtuoso,
is an active performer and teacher throughout the Chicago area. |
She is principal flute and frequent soloist with the Chicago
Chamber Orchestra and has played flute and/or recorder with
many other area ensembles, including Music of the Baroque,
Lyric Opera Orchestra and Chicago Symphony. She performs
regularly with Bach Week, Evanston, and appeared on WFMT’s
"Live from Studio One." She holds degrees in flute performance
and music history from Roosevelt University’s Chicago College
of the Performing Arts and two years of doctoral work in musicology
at the University of Chicago.
She has served on the
performance faculties of Concordia University and Roosevelt
University and is associate professor of flute and music history and chair of the General
Education Studies Department at VanderCook College of Music in Chicago. She founded
and maintains her own private studio, The Flute Group, in the western suburbs.
 |
Nicci Krebasch (HW 2002 - 2004, 2006) of Wood Dale is an original member
of the Handel Week Chorus and sang with New Classic Singers at
College of DuPage and New Oratorio Singers, Techney. |
She sings solo recitals and is cantor
for Grace Episcopal Church and performed in Bach's Magnificat
and Faure Requiem with the Northwest Choral Society.
 |
Mezzo Soprano Amelia Fonti (HW 2002-2004, 2006) of Chicago, returns to the
Handel Week festival this year as a soloist in Dixit Dominus. |
Coming to us from Australia, she received her training in voice and
opera at the Queensland Conservatory of Music in Brisbane. She is
vocal coach in residence with the Chicago Children’s Choir and assists
in traing the Lyric Opera’s Children’s Chorus.
 |
Mezzo Soprano Michelle Wrighte (HW 2004, 2006) of Oak Park returns
to the Handel Week Festival singing in Ezio. |
Her operatic talent has been honed through the Lyric
Opera’s Center for Americas Artists and she has performed at
Ravinia and Grant Park, moving outward to the Milwaukee
Symphony; Glimmerglass Opera, Cooperstown, NY; Festival of
Two Worlds in Spoleto, Italy; Utah Opera; Indianapolis Opera;
and Opera Theatre of St. Louis.
Last year she was featured in the Ned Rorem West Coast
song cycle Evidence of Things Not Seen and San Franciscos
Other Minds Festival. She has held lead roles at the San Francisco Opera, Tulsa Opera,
Tampa Opera, and Pamiro Opera in Italy.
She won critical praise for her portrayal of Emilia opposite Ben Heppner and Renee
Fleming in Sir Peter Halls new production of Otello, which opened the 2001-02 Lyric
season. In the past two seasons at Lyric, she performed in Carmen, Rigoletto, The Great
Gatsby, Jenufa, and Macbeth.
She comes from Des Moines, holds degrees from Drake University, University of
Illinois and a certificate of opera studies from Temple University, Philadelphia.
 |
Amy Pickering (HW 2002, 2006) of Chicago, mezzo-soprano,
has a blended career
of opera, musical theater and concert work. |
She has held leads at Grant Park, Light
Opera Works, Pamiro Opera, Chicago Opera Theater's student matinee
performances, L'Opera Piccola, Muddy River Opera, Sheboygan Symphony,
Toledo Symphony, and Central City Opera and Colorado Symphony.
She has performed supporting roles with the Chicago Symphony
and Ravinia Festival orchestras. She holds an M.A. in music from
Northwestern University and a B.A. from DePaul University. She
is a member of the voice faculty at UIC, Chicago, and Judson
College.
 |
Julia Bentley (HW 2002, 2006) of River Forest, mezzo-soprano,
has appeared in leading
roles with opera companies throughout America and has been featured
as soloist with orchestras led by such notables as Robert Shaw
and Pierre Boulez. |
In 2001, she appeared to critical acclaim
as soloist at Carnegie Hall with Mr. Boulez. This season has
included performances of Messiah with the Milwaukee Symphony,
and title role in Britten's The Rape of Lucretia with
Chicago Opera Theater. She performs in Chicago with Mostly Music,
CUBE, Contemporary Chamber Players, Orion Ensemble, Pinotage,
Ensemble Noamnesia, Chicago Chamber Musicians, and the MusicNOW
series at Symphony Center with Conductor Cliff Colnot. She has
been a regular with the Chicago Chamber Musicians' Music at
the Millennium Series. She began with apprenticeships at
Santa Fe Opera and Chicago Lyric Opera.
 |
Todd Wedge (HW 2006), Tenor, Is joining Handel Week this year as
a soloist in Dixit Dominus. |
He has recently graduated from the Northwestern University School of Music after having received his undergraduate training from the Oberlin Conservatory of Music. His versatile repertoire stretches from Bach to Britten and his passion for the early repertoire has made him a featured artist throughout the United States and Europe. Mr. Wedge is a student of Sunny Joy Langton and has worked with such renowned pedagogues as Lorraine Manz, Richard Miller and Renata Scotto.
Operatically, Mr. Wedge was last seen with Chicago Light Opera and has performed leading roles from: Gianni Schicchi, Alcina, The Bartered Bride, Don Giovanni, The Merry Widow, Idomeneo, West Side Story, The Rape of Lucretia and The Rake’s Progress. Mr. Wedge is currently a studio instructor of singing and class instructor of vocal pedagogy at the University of Notre Dame.
 |
Andrea Holliday (HW 2006), is making her first appearance with
Handel Week. Often heard in the larger concert works
of Handel, Mozart, Haydn and Vivaldi, she has a
particular devotion to the music of Bach. Her
performing gamut, however, spans classical new music,
show music and a large Romantic repertoire.
|
She has been guest artist with the Michigan Bach
Collegium in several Bach cantatas, most recently the
Wedding Cantata #202. She has been a frequent soloist
on the Bach Cantata Series at Grace Lutheran Church,
River Forest, where she returns this season in the
celebrated Cantata 31, "Der Himmel lacht." Among
many appearances with the Downers Grove Choral Society
will be the April '06 performance of Bach's Mass in B
minor.
In Chicago's Auditorium Theatre, she was soprano
soloist in Mendelssohn works for a post-September-11
benefit organized by the Joffrey Ballet. In 2004 she
was principal soprano soloist in Mozart's Great C
minor Mass with the Rockford Bach Chamber Choir. Her
performance of the Mozart Requiem with the Muskegon
(Michigan) Chamber Choir & Orchestra was noted in the
local press.
A busy recitalist, Ms. Holliday has presented dozens
of art-song programs at various venues. She continues
her recitals during the 05-06 season, accompanied by
her husband, conductor and keyboardist Thomas Wikman.
She has a web page at www.mthp.org/teachers/Andrea.html
 |
Eric Ashcraft (HW 2006) Joins Handel Week to sing in Ezio this year.
He has received critical praise for his resonant and flexible tenor as well
as his expressiveness on stage |
Mr. Ashcraft's most notable portrayals have been Don Jose with Pine Mountain Opera, Rodolfo with the Erie and Nevada Opera Theaters and Arturo in Lucia di Lammermoor with Cleveland Opera. He has performed with the New York City Opera and Greater Buffalo Opera and appeared as Don Ottavio in Don Giovanni with Dublin Grand Opera and Opera Northern Ireland. He made his debut as Antonio in Wagner's Das Liebesverbot with the Wexford Festival Opera.
Musical sensitivity and excellent diction are the hallmarks of Mr. Ashcraft's solo orchestral performances. He has appeared in Beethoven's Ninth, the Stabat Maters of Rossini and Dvorák, and several works by Handel, including Messiah, Judas Maccabaeus and Samson.
Mr. Ashcraft was a New York District winner of the Metropolitan Opera National Council Auditions and received his Master of Music and an Artist's Diploma in Opera from the Cincinnati College Conservatory of Music. He serves on the faculty of Augustana College in Rock Island, Illinois.
 |
Edward Zelnis (HW 2004 - 2005) Returned to the Handel Week Festival last year singing in Judas Maccabaeus. |
He is chorus director of Chicago's Music of the Baroque and
will appear as soloist with the group in March in an all Monteverdi program.
He prepared the MOB chorus for Bachs Mass in B minor and has
conducted its Holiday Brass and Choral concerts for two years. He has
performed with the Chicago Symphony; Chicago Opera Theatre; conducted
10 shows for Evanstons Light Opera Works; numerous productions
at The Goodman and Steppenwolf Theaters; and at The Kennedy
Center in collaboration with Tony Award winning director, Frank Galati.
He is music director of Park Ridge Chorale, Christ the King Roman Catholic Church in
Beverly and Congregation Kol Ami in Water Tower Place, Chicago..
 |
Jeri-Lou Zike (HW 2005) Is joining Handel Week this year to play for "The Intimate Handel" Concert. |
One of Chicago's busiest musicians, Ms. Zike is Assistant Concertmaster of both the Lake Forest Symphony and Symphony of the Shores, a member of Symphony II, The City Musick, Basically Bach, and the Chicago Baroque Ensemble (she studied with the renowned Baroque violinist Monica Huggett at the Vancouver Early Music Festival). She is the concertmaster for the University of Chicago Baroque Concerts and Bach Week in Evanston, and teaches at the Music Center of the North Shore.
 |
Thomas Dymit (HW 2005) Joined Handel Week in 2005 to sing the lead in Judas Maccabaeus. |
A member of the Chicago Symphony Chorus, Dymit was a soloist with the CSO & chorus on their Grammy Award-winning recordings of Arnold Schoenberg's Moses und Aron (with Sir Georg Solti) and works by Barber conducted by Andrew Schenk. The tenor first appeared with the Chicago Symphony in 1983.
 |
ContraltoRuth M. Lidecka (HW 2001, 2003-2004) has appeared in numerous productions in the
Chicago area, most recently as Cieska in the Chicago Opera Theater’s production
of Gianni Schicchi and Buoso's Ghost. |
She is a veteran performer of
Gilbert and Sullivan’s operettas, having appeared in all 13 of them. She
has also appeared at Chicago Opera Theater, Light Opera Works and in
a production of the Breasts of Tiresias by the Chicago Department of
Cultural Affairs. Choral experience includes the Chicago Symphony Orchestra Chorus, the
Grant Park Symphony Orchestra Chorus, and the Fleur de Lys Chorale.
 |
Tenor Jay Morrissey (HW 2002 - 2004) of Chicago returns to us as Ahasuerus, King of Persia. |
He debuted at Handel Week in the 2002 production of Israel in
Egypt. He holds a B.A. from Notre Dame, South Bend, and M.A. degree
in music from Roosevelt. He has performed with Chicago Opera Theatre
in Cosi fan tutte and Handel’s Semele and with the
Florentine Opera in Milwaukee.
 |
Diane Ragains (HW 2001 - 2002) of Chicago, lyric soprano, is known
for her dramatic coloratura quality, wide vocal range and extraordinary
musicianship |
Her debut was with the Chicago Symphony
Orchestra under the baton of Seija Ozawa in Carl Orff's Carmina
Burana. What followed have been many guest appearances with major
American orchestras in St. Louis, Cincinnati, Omaha, the Brooklyn
Philharmonic and Houston Symphony Chamber Orchestra, then with
Edinburgh Festival in Scotland. Locally she is a regular at the
Vermeer, Contemporary Chamber Players and at Grant Park. She
is currently on the faculty at Northern Illinois University and
holds degrees from Indiana University and Chicago Conservatory.
 |
DAVID SOLEM (HW 2000 - 2002) of Chicago is one of this area's finest
harpsichordists. He is music director of SS Faith, Hope and
Charity Church in Winnetka. |
 |
Melody Turner (HW 2001) is organist-music director at the Episcopal Church
of Our Savior in Chicago and is an associate of the American Guild of Organists. |
She holds a degree from Indiana University in organ
performance and a master's degree in sacred music from Union Theological
Seminary in New York City, plus additional work at the University of Illinois.
Active in the church music scene for more than 30 years, she teaches Suzuki
Violin and piano in Oak Park and plays violin in the Oak Park/River
Forest Symphony.
 |
Lisa Flores (HW 2001) of Evanston, soprano, is emerging locally as a featured
soloist and has appeared in young artists' programs at Opera Theater of
St. Louis, Glimmerglass Opera, and Chicago Opera Theater. |
Her operatic roles include
Armina, Adele, Elvira (L'Italiana in Algeri), Frasquita, Gretel, Musetta, Norina, Queen
of the Night, Susanna and Zerlina. She has been a soloist in such works
as Schubert's Mass in G Major, Handel's Dexit Dominus, Beethoven's Mass
in C Major and Mendelssohn's Elijah. She holds a master of music degree
and artist's diploma from Northwestern University.
 |
Donald S. Wright (HW 2001) of Park Ridge, organist, is director of music
at St. Richard of Chichester Church in the Edgebrook neighborhood of Chicago. |
He holds degrees in organ, piano, and church music
from the American Conservatory of Music, Chicago, and is a frequent area
recitalist and was featured at the national convention of the Organ Historical
Society in 1984. His other passion is owning a 1930 Cadillac V-16.
 |
Tracy Watson (HW 2000) Has sung numerous featured roles throughout
the US and Europe. |
She has portrayed many leading rolls at the Theater Oberhausen
and has been a featured soloist at the gala opening of Nordrhein Westfalen
Festival. She has also performed at the Whitewater-Sorg
Opera Companies, Hawaii Opera Theater, Chicago Opera Theater, Light Opera
Works, Chamber Opera of Chicago, and the Memphis Symphony Orchestra.
She was a member of Lyric Opera’s Center for American Artists.
She has been soloist with the Grant Park Music Festival,
the Flagstaff Symphony, Princeton Pro Musica, the Elgin and West Suburban
Choral Unions, Northwest Indiana Symphony Orchestra, the Lake Geneva Opera
Festival, the Bach Society of St. Louis, Evanston Symphony, the Sheboygan
Symphony, the Fox Valley Symphony, and the Symphony of Oak Park & River
Forest. She has appeared on the Dame Myra Hess Memorial Concert Series
on WFMT-FM, Chicago.
A recipient of many honors, she was awarded first vocal
prize in the American Opera Society of Chicago Competition and the Lynne
Harvey Award.
|